Digital Autoethnography and Reflexive Performance: Navigating Intercultural Aesthetics in Practice as Research

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dc.contributor.advisorMiller, Kara Jhalak
dc.contributor.authorFelluss, Scott Elias
dc.contributor.departmentTheatre
dc.date.accessioned2025-02-20T22:36:36Z
dc.date.available2025-02-20T22:36:36Z
dc.date.issued2024
dc.description.degreePh.D.
dc.identifier.urihttps://hdl.handle.net/10125/110180
dc.subjectTheater
dc.subjectLaw
dc.subjectEconomics
dc.subjectAlgorithmic Bias in Criminal Justice
dc.subjectCultural Sensitivity in Law Enforcement
dc.subjectEthnographic Methods in Policing
dc.subjectIdentity Construction in Law Enforcement
dc.subjectReflexive Policing Practices
dc.subjectSurveillance
dc.titleDigital Autoethnography and Reflexive Performance: Navigating Intercultural Aesthetics in Practice as Research
dc.title.alternativeAutoethnographie numérique et performance réflexive : Naviguer dans les esthétiques interculturelles dans la pratique en tant que recherche
dc.typeThesis
dcterms.abstractThe dissertation analyzes the correlation that exists between digital fieldwork and artistic practice in Practice-as-Reseach (PaR) in performance studies. In this project, I gathered and compared evidence of digital methodologies against my own solo training and performance across a variety of artistic modalities. My results showed that there was an impactful correlation between the influencing practices of on-line platforms/parties and the performance of embodied interculturality in solo artistic creation by the researcher. The results also revealed that the deployment of web design as a viable form of situated ethnography can lead to enhanced impact on participants as well as ethical problems. The implications of this study could be used to promote performance researchers investigating the deployment of PaR artistic practices and digital mediums as a vital component to ethnographic methodology. The research is a critical examination of the complex dynamics between digital media, cultural representation in performance, and economic forces. It calls for a reevaluation of digital methodologies in academic research, particularly those involving culturally significant artforms.
dcterms.extent240 pages
dcterms.languageen
dcterms.publisherUniversity of Hawai'i at Manoa
dcterms.rightsAll UHM dissertations and theses are protected by copyright. They may be viewed from this source for any purpose, but reproduction or distribution in any format is prohibited without written permission from the copyright owner.
dcterms.typeText
local.identifier.alturihttp://dissertations.umi.com/hawii:12357

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