Digital Autoethnography and Reflexive Performance: Navigating Intercultural Aesthetics in Practice as Research
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2024
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Autoethnographie numérique et performance réflexive : Naviguer dans les esthétiques interculturelles dans la pratique en tant que recherche
Abstract
The dissertation analyzes the correlation that exists between digital fieldwork and artistic practice in Practice-as-Reseach (PaR) in performance studies. In this project, I gathered and compared evidence of digital methodologies against my own solo training and performance across a variety of artistic modalities. My results showed that there was an impactful correlation between the influencing practices of on-line platforms/parties and the performance of embodied interculturality in solo artistic creation by the researcher. The results also revealed that the deployment of web design as a viable form of situated ethnography can lead to enhanced impact on participants as well as ethical problems. The implications of this study could be used to promote performance researchers investigating the deployment of PaR artistic practices and digital mediums as a vital component to ethnographic methodology. The research is a critical examination of the complex dynamics between digital media, cultural representation in performance, and economic forces. It calls for a reevaluation of digital methodologies in academic research, particularly those involving culturally significant artforms.
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Theater, Law, Economics, Algorithmic Bias in Criminal Justice, Cultural Sensitivity in Law Enforcement, Ethnographic Methods in Policing, Identity Construction in Law Enforcement, Reflexive Policing Practices, Surveillance
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240 pages
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