Silent scream

dc.contributor.author Kim, Chongmin Yi
dc.date.accessioned 2009-09-09T20:18:09Z
dc.date.available 2009-09-09T20:18:09Z
dc.date.issued 2004
dc.description Thesis (M.F.A.)--University of Hawaii at Manoa, 2004.
dc.description Includes bibliographical references (leaf 25).
dc.description v, 25 leaves, bound col. plates 29 cm
dc.description.abstract Silent Scream is a series of works of art that explores the issue of immigrant identity. Living in America and learning a complex new language as a non-native speaker forms the basis of this thesis. The exhibition attempts to capture the emotions of a foreigner living in another country. The pieces are intended to convey imperfectness and the inability to completely emerge within another culture. To represent the foreigners' frustration and passion of overcoming difficulties in a new language the work also deals with obsessive labor of handling materials. Aesthetically the work draws on the idea of wabi-sabi in Zen Buddhism which constitutes beauty through imperfection. It also expresses simplicity, inherent to the concept of wabi-sabi.
dc.identifier.uri http://hdl.handle.net/10125/12083
dc.language.iso en-US
dc.relation Theses for the degree of Master of Fine Arts (University of Hawaii at Manoa). Art; no. 447
dc.rights All UHM dissertations and theses are protected by copyright. They may be viewed from this source for any purpose, but reproduction or distribution in any format is prohibited without written permission from the copyright owner.
dc.subject Communication in art
dc.subject Gloves in art
dc.subject Hand in art
dc.title Silent scream
dc.type Thesis
dc.type.dcmi Text
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