Robert Ashley and the Tourettic Voice

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dc.contributor.author Steingo, Gavin
dc.date.accessioned 2018-08-08T23:16:06Z
dc.date.available 2018-08-08T23:16:06Z
dc.date.issued 2008
dc.description.abstract This article explores notions of subjectivity and voice in American composer Robert Ashley’s composition, “Automatic Writing.” Ashley links his own (alleged) experience of Tourette Syndrome with his compositional process. The “Tourettic voice” that emerges in Ashley’s music challenges normative conceptions of unified subjectivity and the ontology of presence.
dc.identifier.citation Steingo, G. (2008). Robert Ashley and the Tourettic Voice. Review of Disability Studies: An International Journal, 4(1).
dc.identifier.issn 1552-9215
dc.identifier.uri http://hdl.handle.net/10125/58342
dc.language.iso eng
dc.publisher University of Hawaii at Manoa -- Center on Disability Studies
dc.relation.ispartofseries vol. 4, no. 1
dc.subject Tourette Syndrome
dc.subject Robert Ashley
dc.subject music and disability
dc.title Robert Ashley and the Tourettic Voice
dc.type Forums
dc.type.dcmi Text
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RDS Volume 4, No. 1