On Establishing Underlying Tonal Contrast

dc.contributor.authorSnider, Keith
dc.date.accessioned2014-11-10T18:53:19Z
dc.date.available2014-11-10T18:53:19Z
dc.date.issued2014-12
dc.description.abstractPhonological field work is largely about establishing contrast in comparable environments. The notion of phonological contrast, however, can be confusing, particularly in its application to tone analysis. Does it mean phonemic contrast in the structuralist sense, or does it mean underlying contrast in the generative sense? Many linguists, in publications otherwise written from a generative perspective, support underlying tonal contrasts with minimal pairs and other data that are based on structuralist criteria. This paper critiques how tonal contrast is often supported in the literature and demonstrates that many supposed minimal pairs are invalid from a generative perspective. It further demonstrates that because many morphemes in tone languages consist solely of floating tones, the potential for these cannot be ignored when establishing comparable phonological environments. *This paper is in the series How to Study a Tone Language, edited by Steven Bird and Larry Hyman
dc.description.sponsorshipNational Foreign Language Resource Center
dc.identifier.citationSnider, Keith. 2014. On Establishing Underlying Tonal Contrast. Language Documentation & Conservation 8: 707—737
dc.identifier.isbn978-0-9856211-2-4
dc.identifier.urihttp://hdl.handle.net/10125/24622
dc.publisherUniversity of Hawai'i Press
dc.rightsCreative Commons Attribution Non-Commercial Share Alike License
dc.titleOn Establishing Underlying Tonal Contrast
dc.typeArticle
prism.endingpage737
prism.publicationnameLanguage Documentation & Conservation
prism.startingpage707
prism.volume8

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