East-West Film Journal, Vol. 4 no. 2 (June 1990)
| dc.contributor.author | East-West Center | |
| dc.date.accessioned | 2013-10-12T02:27:01Z | |
| dc.date.available | 2013-10-12T02:27:01Z | |
| dc.date.issued | 1990-06 | |
| dc.description | For more about the East-West Center, see <a href="http://www.eastwestcenter.org/">http://www.eastwestcenter.org/</a> | |
| dc.description.abstract | Special Issue on the Family and Cinema Editor's Note Families, Film Genres, and Technological Environments Andrew Ross Sons at the Brink of Manhood: Utopian Moments in Male Subjectivity Bill Nichols The Role of Marriage in the Films of Yasujiro Ozu Kathe Geist Family, Education, and Postmodern Society: Yoshimitsu Morita's The Family Game Keiko I. McDonald Was Tolstoy Right? Family Life and the Philippine Cinema Robert Silberman Symbolic Representation and Symbolic Violence: Chinese Family Melodrama of the Early 1980s Ma Ning Fate and the Family Sedan Meaghan Morris Domestic Scenes Patricia Mellencamp Book Review Ozu and the Poetics of Cinema David Bordwell | |
| dc.format.extent | 137 p. | |
| dc.identifier.uri | http://hdl.handle.net/10125/30698 | |
| dc.language.iso | en-US | |
| dc.publisher | Honolulu, HI : East-West Center | |
| dc.rights | Copyright East-West Center | |
| dc.subject.lcsh | Institute of Culture and Communications, East-West Center | |
| dc.subject.lcsh | Program for Cultural Studies, East-West Center | |
| dc.title | East-West Film Journal, Vol. 4 no. 2 (June 1990) | |
| dc.type | Journal | |
| dc.type.dcmi | Text |