East-West Film Journal, Vol. 8 no. 1 (January 1994)

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dc.contributor.authorEast-West Center
dc.date.accessioned2013-10-12T02:41:29Z
dc.date.available2013-10-12T02:41:29Z
dc.date.issued1994-01
dc.descriptionFor more about the East-West Center, see <a href="http://www.eastwestcenter.org/">http://www.eastwestcenter.org/</a>
dc.description.abstractEditor's Note L'assimilation Mizoguchi/Utamaro est Evidente: Five Women around Utamaro and the U.S. Occupation of Japan Donald Kirihara Film between Woodblock Printing and Tattooing: Kenji Mizoguchi's Five Women around Utamaro Angela Dalle Vacche Marginality and Centrality: The Myth of Asia in 1970s Hollywood Glenn Man Global Image Consumption in the Age of Late Capitalism Bill Nichols Representations of Micronesia on Film; Video; and Television James Mellon Book Review The Geopolitical Aesthetic: Cinema and Space in the World System Frederic Jameson
dc.format.extent124 p.
dc.identifier.urihttp://hdl.handle.net/10125/30705
dc.language.isoen-US
dc.publisherHonolulu, HI : East-West Center
dc.rightsCopyright East-West Center
dc.subject.lcshInstitute of Culture and Communication, East-West Center
dc.subject.lcshProgram for Cultural Studies, East-West Center
dc.titleEast-West Film Journal, Vol. 8 no. 1 (January 1994)
dc.typeJournal
dc.type.dcmiText

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