Albert Wendt and Ngũgĩ wa Thiong'o Reading and Conversation--Conversation between Al and Ngũgĩ
| dc.contributor.author | Wendt, Albert | |
| dc.contributor.author | wa Thiong'o, Ngũgĩ | |
| dc.contributor.author | wa Thiong'o, N. | |
| dc.date.accessioned | 2013-06-27T22:31:12Z | |
| dc.date.available | 2013-06-27T22:31:12Z | |
| dc.date.issued | 2013-06-27 | |
| dc.description.abstract | Albert Wendt and Ngũgĩ wa Thiong'o engage in a conversation regarding their literary work and on the overarching themes of the Words in the World symposium. | |
| dc.identifier.uri | http://hdl.handle.net/10125/29494 | |
| dc.rights | CC0 1.0 Universal | |
| dc.rights.uri | http://creativecommons.org/publicdomain/zero/1.0/ | |
| dc.subject | Cristina Bacchilega | |
| dc.subject | Albert Wendt | |
| dc.subject | Ngũgĩ wa Thiong'o | |
| dc.subject | conversation between Albert Wendt and Ngũgĩ wa Thiong'o | |
| dc.subject | orature and literature | |
| dc.subject | relationship of orature to literature | |
| dc.subject | the oral tradition | |
| dc.subject | listening to stories being told at night | |
| dc.subject | Samoan | |
| dc.subject | Samoan | |
| dc.subject | Sāmoa | |
| dc.subject | oral influence of the Bible | |
| dc.subject | Bible and orality | |
| dc.subject | Cain and Abel | |
| dc.subject | the story of David | |
| dc.subject | adaptation of biblical stories into orality | |
| dc.subject | impact of the Bible on orality | |
| dc.subject | Bible as literalization of orality | |
| dc.subject | orature as foundation of the arts | |
| dc.subject | definition of orature | |
| dc.subject | orature versus oral literature | |
| dc.subject | orature as legitimate | |
| dc.subject | literature borrows from orature | |
| dc.subject | "Matigari" | |
| dc.subject | the impact of the digital revolution on orature | |
| dc.subject | "Globalectics" | |
| dc.subject | cyberality | |
| dc.subject | ||
| dc.subject | online chatting | |
| dc.subject | ebooks | |
| dc.subject | addiction to Facebook | |
| dc.subject | how stories circulate | |
| dc.subject | African literatures and literatures from Africa in the Pacific | |
| dc.subject | world literature as a category | |
| dc.subject | orthography and standardization | |
| dc.subject | Pacific literature | |
| dc.subject | birth of Pacific literature, having to write it and critique it | |
| dc.subject | fight to legitimize literature | |
| dc.subject | activism and creative writing | |
| dc.subject | creative writing as activism | |
| dc.subject | postcolonialism | |
| dc.subject | Words in the World | |
| dc.subject | where you are is your starting point in your journey in the world | |
| dc.subject | mental gymnastics of colonialism | |
| dc.subject | importance of knowing where you are | |
| dc.subject | I have to know where I am in order to connect with where I am going, and to find my way back | |
| dc.title | Albert Wendt and Ngũgĩ wa Thiong'o Reading and Conversation--Conversation between Al and Ngũgĩ | |
| dc.type | Video | |
| dc.type.dcmi | Text |
