Global Native Literary Studies--Panelist Chantal Spitz Presents

dc.contributor.author Spitz, Chantal
dc.date.accessioned 2013-07-19T02:27:38Z
dc.date.available 2013-07-19T02:27:38Z
dc.date.issued 2013-07-18
dc.description.abstract Chantal Spitz presents on the Global Native Literary Studies panel. Global Native Literary Studies: This panel provides an opportunity to reflect on Indigenous worlds and Indigenous literary worlds. Through their fiction as well as their political, institutional, scholarly and cultural work, each of the panelists has explored the range of ways and reasons for Indigenous engagement with literary arts. Chantal Spitz’s character Tetiare (in English translation) “washes away… dirt by writing.” Albert Wendt’s character Alapati is encouraged for his ability “to story our lives history and refusal to become nothing.” Daniel Justice’s character Tobhi recalls Strivix counseling a Dragonfly who claims “I don’t know how to be a Dragonfly” with the suggestion “All ye got to do it tell yer people’s story, and ye’ll figure it out.” What questions, aspirations and political ‘lines in the sand’ have underpinned ‘Global Native Literary Studies’? What lessons have been learned in Indigenous and Pacific worlds about writing, regionalism and ‘the global’? What strengths and dimensions of Indigenous Studies and Pacific Studies could contribute to scholars and students grappling with the notion of ‘World Literature’? What Samoan, Tahitian and Cherokee concepts could contribute to scholars and students grappling with the notion of ‘World Literature’? Rather than proposing how or why Indigenous and Pacific texts might be included in a concept of (and classes about) ‘World Literature’ on the basis of the fact these too are ‘part of the world,’ the panelists will be invited to suggest how ‘World Literature,’ Pacific and Indigenous Literary worlds might mutually engage. Moderator: Alice Te Punga Somerville Panelists: Chantal Spitz, Daniel Justice, Albert Wendt
dc.identifier.uri http://hdl.handle.net/10125/29698
dc.rights CC0 1.0 Universal
dc.rights.uri http://creativecommons.org/publicdomain/zero/1.0/
dc.subject Chantal Spitz
dc.subject Tahiti
dc.subject Jean Anderson
dc.subject indigeneity
dc.subject Tahitian literature
dc.subject indigenous Pacific literatures
dc.subject How are literary links forged?
dc.subject English-speaking Pacific peoples
dc.subject Micronesians
dc.subject Polynesians
dc.subject French-occupied Polynesia
dc.subject indigenous writers of French colonies
dc.subject Francophones
dc.subject paying twice over for colonization
dc.subject "Some are more dominated than others"
dc.subject George Orwell
dc.subject "Animal Farm"
dc.subject double domination
dc.subject omnipresence of English language in the Pacific
dc.subject how dominance can turn into strength, hunger
dc.subject Albert Wendt
dc.subject identity as a Pacifica woman
dc.subject Patricia Grace
dc.subject Witi Ihimaera
dc.subject Vilsoni Hereniko
dc.subject Sia Figiel
dc.subject Anita Heiss
dc.subject Epeli Hau'ofa
dc.subject Kathy Dede Neien Jetnil-Kijiner
dc.subject Kathy Jetnil
dc.subject reading the Pacific
dc.subject French-speaking Pacific people who do not know English
dc.subject English-speaking Pacific people who do not know French
dc.subject translation as the bridge in the Pacific
dc.subject "Littératures du Pacifique"
dc.subject French-occupied Polynesia
dc.subject Moetai Brotherson
dc.subject "The Missing King"
dc.subject "Island of Shattered Dreams"
dc.subject Little Island Press
dc.subject Brandy Nālani McDougall
dc.subject "Hombo"
dc.subject Craig Santos Perez
dc.subject Brisbane Writers Festival
dc.title Global Native Literary Studies--Panelist Chantal Spitz Presents
dc.type Video
dc.type.dcmi Text
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