East-West Film Journal, Vol. 5 no. 1 (January 1991)

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dc.contributor.author East-West Center
dc.date.accessioned 2013-10-12T02:29:17Z
dc.date.available 2013-10-12T02:29:17Z
dc.date.issued 1991-01
dc.description For more about the East-West Center, see <a href="http://www.eastwestcenter.org/">http://www.eastwestcenter.org/</a>
dc.description.abstract Special Issue on Melodrama and Cinema Editor's Note Melodrama / Subjectivity / Ideology: The Relevance of Western Melodrama Theories to Recent Chinese Cinema E. Ann Kaplan Melodrama; Postmodernism; and the Japanese Cinema Mitsuhiro Yoshimoto Negotiating the Transition to Capitalism: The Case of Andaz Paul Willemen The Politics of Melodrama in Indonesian Cinema Krishna Sen Melodrama as It (Dis)appears in Australian Film Susan Dermody Filming New Seoul: Melodramatic Constructions of the Subject in Spinning Wheel and First Son Rob Wilson Psyches; Ideologies; and Melodrama: The United States and Japan Maureen Turim
dc.format.extent 143 p.
dc.identifier.uri http://hdl.handle.net/10125/30699
dc.language.iso en-US
dc.publisher Honolulu, HI : East-West Center
dc.rights Copyright East-West Center
dc.subject.lcsh Institute of Culture and Communication, East-West Center
dc.subject.lcsh Program for Cultural Studies, East-West Center
dc.title East-West Film Journal, Vol. 5 no. 1 (January 1991)
dc.type Journal
dc.type.dcmi Text
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