Please use this identifier to cite or link to this item: http://hdl.handle.net/10125/62155

Re-Presenting Micronesia in Long Beach: Memories of a Tourist Collection.

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dc.contributor.author Flores, Ashley I.
dc.date.accessioned 2019-05-28T19:30:16Z
dc.date.available 2019-05-28T19:30:16Z
dc.date.issued 2018-05
dc.identifier.uri http://hdl.handle.net/10125/62155
dc.title Re-Presenting Micronesia in Long Beach: Memories of a Tourist Collection.
dc.type Thesis
dc.contributor.department Art History
dcterms.abstract This thesis explores the biography of 18 objects created on the island of Yap in the 1990s at the Ethnic Art Institute of Micronesia (EAIM), an open workshop space in which Micronesians were employed to make objects for sale to tourists. The institute employed the local Micronesian community, mostly men from the main island, to recreate cultural objects recorded in the Ergebnisse der Südsee-Expedition 1908-1910 journals. Eighteen of the types of objects produced by EAIM are featured on display at the Pacific Island Ethnic Art Museum (PIEAM) located in Long Beach, California, and have been since it opened in October 2010. PIEAM has a wider focus on the arts of the Pacific, including Polynesia and Melanesia, but clearly emphasizes Micronesia and the objects made at the EAIM. Both the museum and EAIM were projects spearheaded by Dr. Gumbiner. This thesis explores how the cultural objects, which are produced at the EAIM and displayed at the PIEAM in Long Beach, California, can be seen as representing and perpetuating a postcolonial situation.
dcterms.description M.A. Thesis. University of Hawaiʻi at Mānoa 2018.
dcterms.language eng
dcterms.publisher University of Hawaiʻi at Mānoa
dcterms.rights All UHM dissertations and theses are protected by copyright. They may be viewed from this source for any purpose, but reproduction or distribution in any format is prohibited without written permission from the copyright owner.
dcterms.type Text
Appears in Collections: M.A. - Art History


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