Decolonizing Cham Sculptures as Art: From Cultural Appropriation to Cultural Revitalization

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dc.contributor.authorMostiller, Marimas Hosan
dc.date.accessioned2017-03-02T20:51:06Z
dc.date.available2017-03-02T20:51:06Z
dc.date.issued2017-03-01
dc.descriptionThis journal has been published at different time periods under the following titles: Explorations: A Graduate Student Journal of Southeast Asian Studies, Explorations in Southeast Asian Studies, and The Journal of the Southeast Asian Studies Association.
dc.format.extent16 pages
dc.identifier.citationMostiller, M. H. (2017). Decolonizing Cham Sculptures as Art: From Cultural Appropriation to Cultural Revitalization. Explorations: A Graduate Student Journal of Southeast Asian Studies, 13, 61-76.
dc.identifier.urihttp://hdl.handle.net/10125/43967
dc.language.isoeng
dc.publisherCenter for Southeast Asian Studies, University of Hawai'i at Manoa
dc.relation.ispartofseriesExplorations: A graduate student journal of Southeast Asian Studies. Volume 13, Spring 2017
dc.rightsAttribution-NonCommercial-NoDerivs 3.0 Unported (CC BY-NC-ND 3.0)
dc.subject.lcshStudent publications
dc.subject.lcshSoutheast Asia--Periodicals
dc.titleDecolonizing Cham Sculptures as Art: From Cultural Appropriation to Cultural Revitalization
dc.typeArticle
dc.type.dcmiText

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Explorations Volume 13, Spring 2017