Too Wise to Woo Peaceably: Ideologies of Marriage in "The Taming of the Shrew" and "Much Ado About Nothing"

dc.contributor.author	Higashi, Tracie
dc.contributor.department	English
dc.date.accessioned	2014-01-15T19:37:48Z
dc.date.available	2014-01-15T19:37:48Z
dc.date.issued	2014-01-15
dc.description.abstract	In recent years, greater critical attention has been given to Shakespearean comedy, which typically has been overshadowed by later plays--most notably, the male-centered tragedies. Lawrence Danson argues that criticism in the twentieth century "has had to invent or rediscover a point of view that can take Shakespeare's comedy seriously but on its own, not tragedy's, terms" (Wells 231). The work of such feminist critics like Marilyn Williamson, Diane Dreher, and Marianne Novy, has called attention to the serious issues that the comedies address.
dc.format.extent	47 pages
dc.identifier.uri	http://hdl.handle.net/10125/31666
dc.publisher	University of Hawaii at Manoa
dc.rights	All UHM Honors Projects are protected by copyright. They may be viewed from this source for any purpose, but reproduction or distribution in any format is prohibited without written permission from the copyright owner.
dc.title	Too Wise to Woo Peaceably: Ideologies of Marriage in "The Taming of the Shrew" and "Much Ado About Nothing"
dc.type	Term Project
dc.type.dcmi	Text

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