Bashō and the Dao : the Zhuangzi and the transformation of Haikai
Loading...
Date
Authors
Contributor
Advisor
Department
Instructor
Depositor
Speaker
Researcher
Consultant
Interviewer
Interviewee
Narrator
Transcriber
Annotator
Journal Title
Journal ISSN
Volume Title
Publisher
Honolulu : University of Hawai'i Press
Volume
Number/Issue
Starting Page
Ending Page
Alternative Title
Abstract
Description
Includes bibliographical references (p. 225-237) and indexes.
Acknowledgement -- General Notes -- Introduction -- 1. Encountering the Zhuangzi -- The Teimon, the Mission of Poetry, and the Zhuangzi -- The Danrin, the Essence of Haikai, and the Zhuangzi -- The Nature of Haikai and the Zhuangzi -- 2. From Falsehood to Sincerity -- The Chinese Style and the Rise of the Shômon School -- True Ingeniousness Beyond Artifice -- Onitsura and His Makoto -- 3. Bashô's Fûkyô and the Spirit of Shôyôyû -- The Dialogic Context of the Eccentric Verse -- The Eccentric as Poetic and the Spirit of Shôyôyû -- Chinese Poetry and Bashô's Concept of Fûkyô -- Shôyôyû and the Haikai Traveler -- Zôka and the Landscape Reenvisioned -- The Aesthetic Landscape and Being One with the Dao -- 4. Bashô's Fûryû and Daoist Traits in Chinese Poetry -- Fûryû in Bashô's Works -- Fûryû in Ikkyû's Poetry -- The Wei-Jin Fengliu and the Spirit of Xiaoyaoyou -- Tao Qian and Returning to the Natural -- Bashô and the Wei-Jin Fengliu -- 5. Following Zôka and Returning to Zôka -- Zôka as a Poetic Principle -- Fueki, Ryûkô, and Fûga no makoto -- Ki, the Undifferentiated State of Mind, and the Zhuangzi -- Kyo, the Fasting of the Mind, and the Zhuangzi -- Awakening to the Lofty and Returning to the Common -- Lightness, Forgetting, and Naturalness Achieved -- Epilogue -- Notes -- Glossary -- Selected Bibliography -- Index
Table of contents also available via World Wide Web
xiv, 248 p. 24 cm
Acknowledgement -- General Notes -- Introduction -- 1. Encountering the Zhuangzi -- The Teimon, the Mission of Poetry, and the Zhuangzi -- The Danrin, the Essence of Haikai, and the Zhuangzi -- The Nature of Haikai and the Zhuangzi -- 2. From Falsehood to Sincerity -- The Chinese Style and the Rise of the Shômon School -- True Ingeniousness Beyond Artifice -- Onitsura and His Makoto -- 3. Bashô's Fûkyô and the Spirit of Shôyôyû -- The Dialogic Context of the Eccentric Verse -- The Eccentric as Poetic and the Spirit of Shôyôyû -- Chinese Poetry and Bashô's Concept of Fûkyô -- Shôyôyû and the Haikai Traveler -- Zôka and the Landscape Reenvisioned -- The Aesthetic Landscape and Being One with the Dao -- 4. Bashô's Fûryû and Daoist Traits in Chinese Poetry -- Fûryû in Bashô's Works -- Fûryû in Ikkyû's Poetry -- The Wei-Jin Fengliu and the Spirit of Xiaoyaoyou -- Tao Qian and Returning to the Natural -- Bashô and the Wei-Jin Fengliu -- 5. Following Zôka and Returning to Zôka -- Zôka as a Poetic Principle -- Fueki, Ryûkô, and Fûga no makoto -- Ki, the Undifferentiated State of Mind, and the Zhuangzi -- Kyo, the Fasting of the Mind, and the Zhuangzi -- Awakening to the Lofty and Returning to the Common -- Lightness, Forgetting, and Naturalness Achieved -- Epilogue -- Notes -- Glossary -- Selected Bibliography -- Index
Table of contents also available via World Wide Web
xiv, 248 p. 24 cm
Citation
DOI
Extent
Format
Geographic Location
Time Period
Related To
Related To (URI)
Table of Contents
Rights
Rights Holder
Catalog Record
Local Contexts
Email libraryada-l@lists.hawaii.edu if you need this content in ADA-compliant format.