Bashō and the Dao : the Zhuangzi and the transformation of Haikai
Date
c2005
Authors
Contributor
Advisor
Department
Instructor
Depositor
Speaker
Researcher
Consultant
Interviewer
Narrator
Transcriber
Annotator
Journal Title
Journal ISSN
Volume Title
Publisher
Honolulu : University of Hawai'i Press
Volume
Number/Issue
Starting Page
Ending Page
Alternative Title
Abstract
Description
Includes bibliographical references (p. 225-237) and indexes.
Acknowledgement -- General Notes -- Introduction -- 1. Encountering the Zhuangzi -- The Teimon, the Mission of Poetry, and the Zhuangzi -- The Danrin, the Essence of Haikai, and the Zhuangzi -- The Nature of Haikai and the Zhuangzi -- 2. From Falsehood to Sincerity -- The Chinese Style and the Rise of the Shômon School -- True Ingeniousness Beyond Artifice -- Onitsura and His Makoto -- 3. Bashô's Fûkyô and the Spirit of Shôyôyû -- The Dialogic Context of the Eccentric Verse -- The Eccentric as Poetic and the Spirit of Shôyôyû -- Chinese Poetry and Bashô's Concept of Fûkyô -- Shôyôyû and the Haikai Traveler -- Zôka and the Landscape Reenvisioned -- The Aesthetic Landscape and Being One with the Dao -- 4. Bashô's Fûryû and Daoist Traits in Chinese Poetry -- Fûryû in Bashô's Works -- Fûryû in Ikkyû's Poetry -- The Wei-Jin Fengliu and the Spirit of Xiaoyaoyou -- Tao Qian and Returning to the Natural -- Bashô and the Wei-Jin Fengliu -- 5. Following Zôka and Returning to Zôka -- Zôka as a Poetic Principle -- Fueki, Ryûkô, and Fûga no makoto -- Ki, the Undifferentiated State of Mind, and the Zhuangzi -- Kyo, the Fasting of the Mind, and the Zhuangzi -- Awakening to the Lofty and Returning to the Common -- Lightness, Forgetting, and Naturalness Achieved -- Epilogue -- Notes -- Glossary -- Selected Bibliography -- Index
Table of contents also available via World Wide Web
xiv, 248 p. 24 cm
Acknowledgement -- General Notes -- Introduction -- 1. Encountering the Zhuangzi -- The Teimon, the Mission of Poetry, and the Zhuangzi -- The Danrin, the Essence of Haikai, and the Zhuangzi -- The Nature of Haikai and the Zhuangzi -- 2. From Falsehood to Sincerity -- The Chinese Style and the Rise of the Shômon School -- True Ingeniousness Beyond Artifice -- Onitsura and His Makoto -- 3. Bashô's Fûkyô and the Spirit of Shôyôyû -- The Dialogic Context of the Eccentric Verse -- The Eccentric as Poetic and the Spirit of Shôyôyû -- Chinese Poetry and Bashô's Concept of Fûkyô -- Shôyôyû and the Haikai Traveler -- Zôka and the Landscape Reenvisioned -- The Aesthetic Landscape and Being One with the Dao -- 4. Bashô's Fûryû and Daoist Traits in Chinese Poetry -- Fûryû in Bashô's Works -- Fûryû in Ikkyû's Poetry -- The Wei-Jin Fengliu and the Spirit of Xiaoyaoyou -- Tao Qian and Returning to the Natural -- Bashô and the Wei-Jin Fengliu -- 5. Following Zôka and Returning to Zôka -- Zôka as a Poetic Principle -- Fueki, Ryûkô, and Fûga no makoto -- Ki, the Undifferentiated State of Mind, and the Zhuangzi -- Kyo, the Fasting of the Mind, and the Zhuangzi -- Awakening to the Lofty and Returning to the Common -- Lightness, Forgetting, and Naturalness Achieved -- Epilogue -- Notes -- Glossary -- Selected Bibliography -- Index
Table of contents also available via World Wide Web
xiv, 248 p. 24 cm
Keywords
Zhuangzi, Matsuo, Bashō, Japanese poetry -- Taoist influences
Citation
Extent
Format
Geographic Location
Time Period
Related To
Related To (URI)
Table of Contents
Rights
Rights Holder
Local Contexts
Email libraryada-l@lists.hawaii.edu if you need this content in ADA-compliant format.