East-West Film Journal, Vol. 5 no. 2 (July 1991)

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dc.contributor.authorEast-West Center
dc.date.accessioned2013-10-12T02:31:05Z
dc.date.available2013-10-12T02:31:05Z
dc.date.issued1991-07
dc.descriptionFor more about the East-West Center, see <a href="http://www.eastwestcenter.org/">http://www.eastwestcenter.org/</a>
dc.description.abstractSpecial Issue on Melodrama and Cinema Editor's Note Melodrama / Subjectivity / Ideology: The Relevance of Western Melodrama Theories to Recent Chinese Cinema E. Ann Kaplan Melodrama; Postmodernism; and the Japanese Cinema Mitsuhiro Yoshimoto Negotiating the Transition to Capitalism: The Case of Andaz Paul Willemen The Politics of Melodrama in Indonesian Cinema Krishna Sen Melodrama as It (Dis)appears in Australian Film Susan Dermody Filming New Seoul: Melodramatic Constructions of the Subject in Spinning Wheel and First Son Rob Wilson Psyches; Ideologies; and Melodrama: The United States and Japan Maureen Turim
dc.format.extent139 p.
dc.identifier.urihttp://hdl.handle.net/10125/30700
dc.language.isoen-US
dc.publisherHonolulu, HI : East-West Center
dc.rightsCopyright East-West Center
dc.subject.lcshInstitute of Culture and Communication, East-West Center
dc.subject.lcshProgram for Cultural Studies, East-West Center
dc.titleEast-West Film Journal, Vol. 5 no. 2 (July 1991)
dc.typeJournal
dc.type.dcmiText

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