Precarious Inclusions; Re-Imagining Disability, Race, Masculinity and Nation in My Name Is Khan

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dc.contributor.authorKanani, Nadia
dc.date.accessioned2018-08-08T23:44:03Z
dc.date.available2018-08-08T23:44:03Z
dc.date.issued2014
dc.description.abstractThis paper will critically examine how dominant cultural scripts about disability are reinforced and complicated in the Bollywood film, My Name is Khan (Johar, 2010). An examination of the film's themes demonstrates that My Name is Khan allows for a nuanced analysis of disability, race, masculinity and nation.
dc.identifier.citationKanani, N. (2014). Precarious Inclusions; Re-Imagining Disability, Race, Masculinity and Nation in My Name Is Khan. Review of Disability Studies: An International Journal, 10(1 & 2).
dc.identifier.issn1552-9215
dc.identifier.urihttp://hdl.handle.net/10125/58592
dc.language.isoeng
dc.publisherUniversity of Hawaii at Manoa -- Center on Disability Studies
dc.relation.ispartofseriesvol. 10, no. 1 & 2
dc.subjectdisability
dc.subjectrace
dc.subjectnation
dc.titlePrecarious Inclusions; Re-Imagining Disability, Race, Masculinity and Nation in My Name Is Khan
dc.typeForums
dc.type.dcmiText

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