The Development of Hawai'i's Kumu Kahua Theatre and Its Core Repertory: The "Local" Plays of Sakamoto, Lum and Kneubuhl

dc.contributor.advisor Carroll, W. Dennis Mattos, Justina T.
dc.contributor.department Theatre 2015-09-10T01:58:35Z 2015-09-10T01:58:35Z 2002-05 2002
dc.description vii, 389 leaves, bound ; 29 cm.
dc.description Thesis (Ph. D.)--University of Hawaii at Manoa, 2002.
dc.description Mode of access: World Wide Web.
dc.description Includes bibliographical references (leaves 356-389).
dc.description Also available by subscription via World Wide Web.
dc.description Also available on microfiche.
dc.description.abstract Kumu Kahua Theatre is a non-profit theatre company in Honolulu which has been in existence since 1971. It is the only theatre in the world dedicated to producing plays which speak particularly to the multi-ethnic audiences of Hawai‘i. Over the past thirty years Hawai‘i’s “local” playwrights have benefited from a working relationship with Kumu Kahua Theatre, which has served as an original stage on which they could practice and refine their craft. This dissertation defines what is meant by “local” theatre, and includes a brief historical overview of Hawai‘i’s socio-political climate and theatrical activities before 1971 to provide a foundation from which to discuss Kumu Kahua Theatre and Hawai‘i’s contemporary “local” playwrights. The activities of Kumu Kahua Theatre from 1971 through 1999 are described, focusing upon the productions of significant “local” plays during this period, and the role of Kumu Kahua Theatre in the growth and refinement of “local” drama. Playwrights mentioned here include: Aldyth Morris, Lynette Amano, James Grant Benton, Jon Shirota, Milton Murayama, Brian Clark, Peter Charlot, John Kneubuhl, Daniel Therriault, and Alani Apio. Three playwrights, Edward Sakamoto, Darrell H.Y. Lum and Victoria Nālani Kneubuhl, stand out for their contributions to “local” theatre, and their plays have comprised the core repertory of Kumu Kahua Theatre. Chapters three, four and five analyze the “local” plays for adults by these writers. The conclusion compares and contrasts these three playwrights, summarizing the overall developments in “local” theatre and the role of Kumu Kahua Theatre in Hawai‘i’s “local” drama tradition. Tammy Haili‘ōpua Baker’s Hawaiian language theatre troupe, Ka Hālau Hanakeaka, is briefly discussed in reference to the changing use of language in Hawaiʻi’s “local” drama and as a possible indication of what we might expect more of in the future. Four appendices are provided. Appendix A lists all plays produced by Kumu Kahua Theatre, including the names of playwrights, directors, venues, and production dates. Appendix B provides a season-by-season listing of Kumu Kahua Board Members. Appendix C summarizes the box-office reports for each production from which these figures were available. Appendix D lists Hawai‘i’s “local” playwrights and “local” plays. en_US
dc.format electronic resource
dc.format.extent 396 pages en_US
dc.language.iso en-US en_US
dc.publisher University of Hawaii at Manoa
dc.relation Theses for the degree of Doctor of Philosophy (University of Hawaiʻi at Mānoa). Theatre ; no. 4191
dc.rights All UHM dissertations and theses are protected by copyright. They may be viewed from this source for any purpose, but reproduction or distribution in any format is prohibited without written permission from the copyright owner. en_US
dc.title The Development of Hawai'i's Kumu Kahua Theatre and Its Core Repertory: The "Local" Plays of Sakamoto, Lum and Kneubuhl en_US
dc.type Thesis en_US
dc.type.dcmi Text en_US
local.identifier.callnumber AC1 .H3 no.4191
local.thesis.degreelevel PhD
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