"Localizing Collectivism: Do-It-Yourself DNA in Modern and Contemporary Art in Japan", by Dr. Reiko Tomii, Art Historian

Date

2020-01-24

Authors

Contributor

Advisor

Department

Instructor

Depositor

Speaker

Researcher

Consultant

Interviewer

Narrator

Transcriber

Annotator

Journal Title

Journal ISSN

Volume Title

Publisher

Volume

Number/Issue

Starting Page

Ending Page

Alternative Title

Abstract

By now, it has been widely accepted that there are multiple modernisms, whose multiplicity lies in diverse historical contexts within which works that look similar in form to Western modernism come to have different significance when understood within their local circumstances. Collectivism is one such category that demands careful consideration. It has long held a central place in the art world of modern Japan since the late 19th century, and it continues to shape not only avant-garde and contemporary practices but also the entire institutionalization of modern art in the country. The focus on “operation” (one of the two kinds of labor that constitute an artist’s labor, together with “expression”) will also help us understand the relationship of modern and contemporary art in society.

Description

Seminar talk flyer

Keywords

Citation

Extent

Format

Geographic Location

Time Period

Related To

Related To (URI)

Table of Contents

Rights

Attribution-NonCommercial-NoDerivs 3.0 United States

Rights Holder

Local Contexts

Collections

Email libraryada-l@lists.hawaii.edu if you need this content in ADA-compliant format.