From Full Dusk to Full Tusk: Reimagining the "Dusky Maiden" through the Visual Arts

dc.contributor.author Tamaira, A. Marata
dc.date.accessioned 2011-05-06T17:22:37Z
dc.date.available 2011-05-06T17:22:37Z
dc.date.issued 2010
dc.description.abstract For centuries the image of the Dusky Maiden has occupied a prominent place in the Western imagination. Indeed, nowhere has it been so effectively shaped and deployed than through the visual arts. Portrayed as naive belles-cum-femme fatales through early Western paintings and later photographs, Polynesian women were presented to foreign audiences as symbols of the exotic, erotic, and dangerous. In the contemporary period, female Polynesian artists have sought to reconceptualize, challenge, subvert, and invert the image of their dusky maiden “sibling” in order to open up alternative spaces in which to reread this centuries-old icon. Here, I focus on the visual art creations of three women: Rosanna Raymond, Shigeyuki Kihara, and Sue Pearson, each of whom is actively engaged in reinscribing the stereotype of the Dusky Maiden with new and empowering meaning.
dc.format.extent 35 pages
dc.identifier.citation Tamaira, M. A. 2010. From Full Dusk to Full Tusk: Reimagining the "Dusky Maiden" through the Visual Arts. The Contemporary Pacific 22 (1): 1-35.
dc.identifier.issn 1043-898X
dc.identifier.uri http://hdl.handle.net/10125/19980
dc.language.iso en-US
dc.publisher University of Hawai‘i Press
dc.publisher Center for Pacific Islands Studies
dc.subject Dusky Maiden
dc.subject goddesses
dc.subject ancestresses
dc.subject liminality
dc.subject Polynesia
dc.subject Polynesianism
dc.subject visual arts
dc.subject.lcsh Oceania -- Periodicals
dc.title From Full Dusk to Full Tusk: Reimagining the "Dusky Maiden" through the Visual Arts
dc.type Article
dc.type.dcmi Text
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