Speculation

dc.contributor.advisor Schiffner, Amy L.
dc.contributor.author Sanchez, Erika Nicole
dc.contributor.department Dance
dc.date.accessioned 2022-07-05T19:58:26Z
dc.date.available 2022-07-05T19:58:26Z
dc.date.issued 2022
dc.description.degree M.A.
dc.identifier.uri https://hdl.handle.net/10125/102214
dc.subject Dance
dc.subject Biomechanics
dc.subject Contemporary
dc.subject Modern
dc.subject Post-Modern
dc.title Speculation
dc.type Thesis
dcterms.abstract In partial fulfillment of the requirements for the degree of MFA in Performance and Choreography I propose a twenty-two minute performance titled “Speculation.” The production is a choreographic approach to exploring biomechanics and mental responsiveness to specific emotion driven prompts. The choreographic process implements physical mechanics of the body; acceleration, force, gravity, momentum and projectile trajectory; to devise a mental response and deeper understanding of the movement. Through guided tasks of texture, dynamics and internal or external movement quality will reinforce the intentions of the entire performance. “Speculation” will include an original sound score developed by Ernest Provencher, costumes designed by Devin Walter and lighting designs created by Brian Shevelenko. The production is intended to be performed live for the 2022 Spring Footholds Concert titled Co-Motion. The Concert is projected to take place in the Earl Ernest Lab Theatre at the University of Hawaiʻi Mānoa.
dcterms.extent 54 pages
dcterms.language en
dcterms.publisher University of Hawai'i at Manoa
dcterms.rights All UHM dissertations and theses are protected by copyright. They may be viewed from this source for any purpose, but reproduction or distribution in any format is prohibited without written permission from the copyright owner.
dcterms.type Text
local.identifier.alturi http://dissertations.umi.com/hawii:11397
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