In the Interior Where we Cannot See - Interiors as Symbols of Ultimate Truth in Three Poems by Elizabeth Bishop

dc.contributor.author Morgan, Michael en_US
dc.contributor.department English en_US
dc.date.accessioned 2014-01-15T19:40:24Z
dc.date.available 2014-01-15T19:40:24Z
dc.date.issued 2014-01-15 en_US
dc.description.abstract In a recent article in "The American Poetry Review" titled "Elizabeth Bishop: Influences" is a transcription of a talk Bishop gave in 1977, less than two years before her death on October 6, 1979. From Herbert to Hopkins, from Lear to Moore, from Baptist hymnals to Campion and Jonson, Bishop recalled with affection her lifelong fascination with poetry and the many artists and works that affected her own writing and thinking. Her discerning taste for the well-crafted poem, as opposed to one fashionable or flashy, evinced itself in her own poetry and made her a favorite of many of the poets of her own generation. en_US
dc.format.extent 41 pages en_US
dc.identifier.uri http://hdl.handle.net/10125/31699
dc.publisher University of Hawaii at Manoa en_US
dc.rights All UHM Honors Projects are protected by copyright. They may be viewed from this source for any purpose, but reproduction or distribution in any format is prohibited without written permission from the copyright owner. en_US
dc.title In the Interior Where we Cannot See - Interiors as Symbols of Ultimate Truth in Three Poems by Elizabeth Bishop en_US
dc.type Term Project en_US
dc.type.dcmi Text en_US
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