“Starvation Taught Me Art”: Tree Poaching, Gender and Cultural Shifts in Wood Curio Carving in Zimbabwe

dc.contributor.authorFadiman, Maria
dc.date.accessioned2009-09-17T22:42:02Z
dc.date.available2009-09-17T22:42:02Z
dc.date.issued2008
dc.descriptionresearch
dc.description.abstractThis study looks at wood curio carving in Victoria Falls, Zimbabwe, Africa. Although the local people, Ndebele and Shona, have always carved, they now face a weakened economy, due in large part to land reforms in 2000. Thus, more people sculpt wood as a form of livelihood. As one man said “Starvation taught me art”. As a result, gender roles are shifting as men and women begin to enter realms previously reserved for the other. Environmentally, carvers poaching trees deforests the woodlands. As more individuals turn to making crafts sustainability deteriorates. However, people are looking into more sustainable practices. Ndebele and Shona are experimenting with carving smaller items so as to be able to earn more profit from less wood, and to use branches instead of heartwood. Carvers are also using scrap wood from Forest Stewardship Council (FSC) lumber mills to lessen dependence on live trees.
dc.identifier.citationFadiman M. 2008. “Starvation taught me art”: tree poaching, gender and cultural shifts in wood curio carving in Zimbabwe. Ethnobotany Research and Applications 6:335-346.
dc.identifier.issn1547-3465
dc.identifier.urihttp://hdl.handle.net/10125/12489
dc.language.isoen-US
dc.publisherUniversity of Hawaii at Manoa
dc.subjecttree poaching
dc.subjectwood curio carving
dc.subjectZimbabwe
dc.subjectAfrica
dc.title“Starvation Taught Me Art”: Tree Poaching, Gender and Cultural Shifts in Wood Curio Carving in Zimbabwe
dc.typeArticle
dc.type.dcmiText

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