Claiming Comedic Immunity Or, What Do You Get When You Cross Contemporary British Comedy with Disability
| dc.contributor.author | Mallett, Rebecca | |
| dc.date.accessioned | 2018-08-08T23:28:15Z | |
| dc.date.available | 2018-08-08T23:28:15Z | |
| dc.date.issued | 2010 | |
| dc.description.abstract | This article addresses the mechanisms by which contemporary British comedy about disability is allowed to be funny. It argues that the available academic literature on the phenomenon is scant and a critical public vocabulary missing. | |
| dc.identifier.citation | Mallett, R. (2010). Claiming Comedic Immunity Or, What Do You Get When You Cross Contemporary British Comedy with Disability. Review of Disability Studies: An International Journal, 6(3). | |
| dc.identifier.issn | 1552-9215 | |
| dc.identifier.uri | http://hdl.handle.net/10125/58451 | |
| dc.language.iso | eng | |
| dc.publisher | University of Hawaii at Manoa -- Center on Disability Studies | |
| dc.relation.ispartofseries | vol. 6, no. 3 | |
| dc.subject | comedy | |
| dc.subject | cultural criticism | |
| dc.subject | tolerance | |
| dc.title | Claiming Comedic Immunity Or, What Do You Get When You Cross Contemporary British Comedy with Disability | |
| dc.type | Forums | |
| dc.type.dcmi | Text |