Process And Kaona: In Search of a Modern Native Hawaiian Aesthetic through Architectural Ornament

dc.contributor.advisorFriedman, Daniel
dc.contributor.authorCanon, Nohealani
dc.contributor.departmentArchitecture
dc.date.accessioned2018-03-15T23:32:07Z
dc.date.available2018-03-15T23:32:07Z
dc.date.issued2017-05
dc.description.abstractBecause the indigenous culture of these islands is Hawaiian, it is important that a Native Hawaiian cultural awareness is a part of all professions doing work here. The profession of architecture is one of the many in Hawai‘i that must develop a greater Native Hawaiian consciousness. Currently, there is little presence of the culture in architecture; however, I plan to change this. My goal for this dissertation was to develop a contemporary aesthetic based on authentic Native Hawaiian cultural practices and architecture in Hawai‘i that can be applied to today’s architecture. I first examine the definitions and philosophies of aesthetics within architecture. For the focus of this project, I have chosen architectural ornament and thus next review ornament’s role in architecture throughout history and discuss its relevance to today’s art. Then, I examined several Native Hawaiian cultural practices and architectural case studies in Hawai‘i in order to distinguish a Hawaiian identity within design. Finally, I tested my findings by developing general guidelines and swatches which together can be considered the first steps toward a Native Hawaiian aesthetic.
dc.format.extent193 pages
dc.identifier.urihttp://hdl.handle.net/10125/55837
dc.language.isoeng
dc.publisherHonolulu: University of Hawaii at Manoa
dc.subjectAesthetic
dc.subjectHawaiian
dc.subjectOrnament
dc.titleProcess And Kaona: In Search of a Modern Native Hawaiian Aesthetic through Architectural Ornament
dc.typeDoctorate Project
dc.type.dcmiText

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