Ezra Pound’s Hugh Selwyn Mauberley

dc.contributor.author Mann, Inez
dc.contributor.department English
dc.date.accessioned 2014-01-15T19:48:34Z
dc.date.available 2014-01-15T19:48:34Z
dc.date.issued 2014-01-15
dc.description.abstract Since its publication, critics have differed over the effectiveness of the persona in Ezra Pound's Hugh Selwyn Mauberley. Some, like Donald Davie, believe that Pound loses control of his mask. Others, like John Espey, have maintained that Pound consistently controls his persona. This question of the relationship between Pound and his mask is important for it necessarily influences the reading. My reading supports Espey's position. I found Mauberley to be an organic composition, balanced in its construction, with a persona (appearing in the second sequence) that is consistently maintained.
dc.format.extent 30 pages
dc.identifier.uri http://hdl.handle.net/10125/31801
dc.publisher University of Hawaii at Manoa
dc.rights All UHM Honors Projects are protected by copyright. They may be viewed from this source for any purpose, but reproduction or distribution in any format is prohibited without written permission from the copyright owner.
dc.title Ezra Pound’s Hugh Selwyn Mauberley
dc.type Term Project
dc.type.dcmi Text
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