Please use this identifier to cite or link to this item: http://hdl.handle.net/10125/51215

Padayag: For Western Orchestra and Filipino Indigenous Instruments

File Description SizeFormat 
2015-12-phd-marfil_r.pdfVersion for non-UH users. Copying/Printing is not permitted19.94 MBAdobe PDFView/Open
2015-12-phd-marfil_uh.pdfFor UH users only20.01 MBAdobe PDFView/Open

Item Summary

Title: Padayag: For Western Orchestra and Filipino Indigenous Instruments
Authors: Marfil, Marie Jocelyn
Keywords: Mansaka
orchestra
kulintang
gong
dawot
show 1 morepag-iyak
show less
Issue Date: Dec 2015
Publisher: [Honolulu] : [University of Hawaii at Manoa], [December 2015]
Abstract: Padayag (“expression”) is scored for a Western orchestra and Filipino indigenous instruments, including Mansaka instruments. It is inspired by Mansaka music, which was an important part of my environment while growing up in a multi-ethnic country. Mansaka is a lumad found in the southern part of the Philippines, particularly in the provinces of Davao del Norte and Compostela Valley. *
The overall concept of Padayag comes from my personal experience with the Mansaka people, where I learned about their music, culture, and tradition. Padayag is based on the Mansaka life cycle – birth, courtship, wedding and harvest, death/after life, birth. Each of these events corresponds to Mansaka music – Iso Katurog Da, Binarig, Pyagsawitan, Dawot, and Iso Katurog Da and Barabay – that depicts the Mansaka life events.
My initial research on Mansaka music revealed that the information on the Mansaka was insufficient for my writing. This led me to do my field research in Tagum City, Davao del Norte, Philippines, from July 18 to August 4, 2013. The interviews with leaders of the Mansaka, the recording of their songs, music, and dance, my association with the Mansaka community, and my findings helped me as I processed my composition.
In Padayag, as part of my musical experiment, I explore the different parameters of music, quotations of the Mansaka melody and rhythm, the emulation of the Mansaka music and performance styles and practices, and utilization of various Western compositional techniques. The combination of Western instruments and Filipino indigenous instruments creates unique timbres, which are essential in my musical expression portraying the Mansaka life cycle.
Description: Ph.D. University of Hawaii at Manoa 2015.
Includes bibliographical references.
URI/DOI: http://hdl.handle.net/10125/51215
Appears in Collections:Ph.D. - Music


Please email libraryada-l@lists.hawaii.edu if you need this content in an ADA-compliant format.

Items in ScholarSpace are protected by copyright, with all rights reserved, unless otherwise indicated.