Please use this identifier to cite or link to this item: http://hdl.handle.net/10125/50965

Listening into the Distance

File Description SizeFormat 
2015-05-phd-chinn_r.pdfVersion for non-UH users. Copying/Printing is not permitted1.34 MBAdobe PDFView/Open
2015-05-phd-chinn_uh.pdfFor UH users only1.4 MBAdobe PDFView/Open

Item Summary

Title: Listening into the Distance
Authors: Chinn, Mei Lin
Issue Date: May 2015
Publisher: [Honolulu] : [University of Hawaii at Manoa], [May 2015]
Abstract: While it is easy to find music meaningful, this rather commonplace experience is difficult to think about philosophically and our actual experience of music seems counter to many explanations. This dissertation is guided by the perennial question of how music, as a non-semantic and nonrepresentational art, is meaningful. At once, music feels meaningful yet lacks objectifable meaning. I approach the liminal, yet striking case of musical meaning through challenging certain assumptions about sense and the distance between sensing as perception and sense as meaning. I rely on the resources of Chinese philosophy, a deeply aesthetic tradition that never adopted the assumptions in question, in particular that of an essential gap between body and world. Drawing on ideas about music and the senses in Chinese philosophy, as well as contemporary approaches to perception, I examine three central features of listening in depth: intimacy, skill, and receptivity. These features of listening are brought together with an account of musical spacetime, in order to argue that listening to music is a unified activity of direct, meaningful sensing. From this conclusion, the possibility that listening to music is a kind of thinking is explored, along with the distinct implication that music is a philosophical practice. Finally, while the influence of music on classical Chinese thought has been acknowledged, there is almost no literature that examines Chinese philosophy of music in depth. By attending to the specifically philosophical importance of music, novel understandings of the tradition are revealed, as is the eminence of aesthetics in Chinese philosophy.
Description: Ph.D. University of Hawaii at Manoa 2015.
Includes bibliographical references.
URI/DOI: http://hdl.handle.net/10125/50965
Appears in Collections:Ph.D. - Philosophy


Please contact sspace@hawaii.edu if you need this content in an ADA compliant alternative format.

Items in ScholarSpace are protected by copyright, with all rights reserved, unless otherwise indicated.