Please use this identifier to cite or link to this item:
From the Real to the Surreal: Jacques Noel's Staging of Ionesco's Rhinocero's
|2015-05-ma-desmoulins_r.pdf||Version for non-UH users. Copying/Printing is not permitted||1.42 MB||Adobe PDF||View/Open|
|2015-05-ma-desmoulins_uh.pdf||For UH users only||1.44 MB||Adobe PDF||View/Open|
|Title:||From the Real to the Surreal: Jacques Noel's Staging of Ionesco's Rhinocero's|
show 1 moreSurreal
|Date Issued:||May 2015|
|Publisher:||[Honolulu] : [University of Hawaii at Manoa], [May 2015]|
|Abstract:||Theater is not just text; it is a performance. It is literature balanced between the written word and the visual accent. It is alive, rooted from the author's consciousness flourishing on the stage. The project of this thesis is to read Ionesco's Rhinocéros, and simultaneously to study the set designs created by Jacques Noël for the 1960 performance at the Théâtre de l'Odéon. The thesis will aim to bridge the boundaries of image and text by treating images (set designs) and the play as one readable “text” that can create meaning together.|
|Description:||M.A. University of Hawaii at Manoa 2015.|
Includes bibliographical references.
|Appears in Collections:||
M.A. - Languages and Literatures of Europe and the Americas (French)|
Please email email@example.com if you need this content in ADA-compliant format.
Items in ScholarSpace are protected by copyright, with all rights reserved, unless otherwise indicated.