Please use this identifier to cite or link to this item:

"The Changeling" and the Carnivalesque

File Size Format  
PaulLennon2009.pdf 5.94 MB Adobe PDF View/Open

Item Summary

Title:"The Changeling" and the Carnivalesque
Authors:Lennon, Paul
Contributors:Sammons, Todd (instructor)
Zuern, John (instructor)
Keywords:English drama
Middleton, Thomas, -1627
Rowley, William, 1585?-1642?
Date Issued:24 Jun 2015
Abstract:One of the features of Jacobean Drama generally, and the play The Changeling specifically, is its polysemous nature. There are multiple and complex strands in the composition of the play, which can render multiple interpretations. Critics, though, in making their arguments, sometimes ignore those elements which are not conducive to their position. The Changeling has been the genesis of such criticism in which obvious elements of the drama are omitted, for they don't support the argument being made. The very complexity of this play, which richly absorbs the issues of the times in which it was written, can make it simultaneously fecund and unwieldy for critical interpretations.
Description:Produced in 2009 as a Plan B paper for an MA in English at the University of Hawaii at Manoa.
Pages/Duration:46 pages
Appears in Collections: All Graduate Scholarship

Please email if you need this content in ADA-compliant format.

Items in ScholarSpace are protected by copyright, with all rights reserved, unless otherwise indicated.