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Now showing 1 - 5 of 19
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    The first language acquisition of nominal inflection in Northern East Cree: Possessives and nouns
    ( 2022) Henke, Ryan ; Deen, Kamil U. ; Linguistics
    This is a modified version of a 2020 dissertation, submitted by the author in 2022, featuring bookmarks within the PDF and corrected pagination. Per the author, the dissertation has otherwise not been changed. Original and full abstract can be found at Brief abstract: "This dissertation describes the first language (L1) acquisition of nominal inflection in Northern East Cree (NEC), a member of the Cree-Innu-Naskapi dialect complex within the Algonquian language family, which is spoken in four Eeyou Istchee communities in Northern Québec. The category of nominals includes nouns, demonstratives, and pronouns, where nouns inflect with templatic morphology involving one prefix and four suffix positions. This study focuses primarily upon nouns within possessive constructions, which entail the richest range of inflectional possibilities and mark multiple inflectional features of both possessees and possessors—including grammatical animacy, obviation, and number. This is the first dedicated study of the L1 acquisition of possessive marking within a polysynthetic language, and this dissertation aims to provide findings to inform linguistic science as well as community-centered efforts in L1 development and language revitalization."
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    Urban-Rural Compliance Variability to COVID-19 Restrictions of Indigenous Fijian (iTaukei) Funerals in Fiji
    ( 2021-04-14) Vave, Ron ; Friedlander, Alan
    Research on coronavirus disease 2019 (COVID-19) has focused primarily on impacts in Western societies despite emerging evidence of increased vulnerability among indigenous peoples such as Pacific Islanders. Using Facebook public posts, this research assessed compliance to COVID-19 restrictions such as social gatherings (SG) and social distancing (SD) in non-COVID-19, indigenous Fijian (iTaukei) funerals in Fiji. Results showed 95% of the 20 funerals exceeding SG limits with greater, and highly variable crowd sizes in rural than urban communities. Additionally, 75% of the 20 funerals did not adhere to the 2-m SD requirement of which 80% were in rural areas. Higher SG and SD compliance in urban funerals could be partially explained by the presence of a recognized authority who enforced crowd size limits, and the heterogeneous urban community who were more likely to flag breaches than their collectivistic, homogeneous, close-knit, rural counterparts. Ultimately, health authorities need to utilize a social lens that incorporates etic and emic differences in culture to ensure maximum compliance.
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    Colonization and prehistory on the island of Maui : a radiocarbon synthesis of Maui island
    ( 2012) Duarte, Trever K.
    A long standing debate on the chronology of the colonization of the Hawaiian Islands has driven archaeological investigations and critical re-considerations in the use of radiocarbon dating (Dye, 2000; Wilmshurst et. al.; 2011a; Rieth et. al.; 2011). Understanding the potential effect of in-built age of unidentified wood charcoal reveals uncertainty in establishing the age of early arrival of Polynesians in Hawai`i. Poor criteria for radiocarbon selection have contributed to both long and short chronologies. In the case of long chronologies, a majority of the evidence of an early colonization are from dates derived from unidentified charcoal, accepting large amounts of error in the process. Short chronologies have relied on dates from paleo-environmental context. These results provide poor association to actual anthropogenic events, which entertain a degree of doubt when used to discuss island settlement. The highest precision of radiometric dating is provided by a conscious selection of short-lived plant taxa and parts, which contain a small degree of error in the dating of a target event, and are ideal in tracing the Polynesian migration to Hawai`i. Dates of the highest precision, assessed through a systematic classification of radiometric dates, have been used to re-construct a 13th century colonization of Hawai`i (Wilmshurst et al. 2011a; Rieth et al. 2011). This project analyzes the results of 831 radiocarbon dates from Maui Island and uses a classification system to assess dates with the highest precision and accuracy for dating initial Polynesian colonization. From the earliest dates of identified short-lived plant taxa and parts, the AD 1214—1255 settlement of Maui is the most reliable date of colonization.
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    The Development of Hawai'i's Kumu Kahua Theatre and Its Core Repertory: The "Local" Plays of Sakamoto, Lum and Kneubuhl
    (University of Hawaii at Manoa, 2002) Mattos, Justina T. ; Carroll, W. Dennis ; Theatre
    Kumu Kahua Theatre is a non-profit theatre company in Honolulu which has been in existence since 1971. It is the only theatre in the world dedicated to producing plays which speak particularly to the multi-ethnic audiences of Hawai‘i. Over the past thirty years Hawai‘i’s “local” playwrights have benefited from a working relationship with Kumu Kahua Theatre, which has served as an original stage on which they could practice and refine their craft. This dissertation defines what is meant by “local” theatre, and includes a brief historical overview of Hawai‘i’s socio-political climate and theatrical activities before 1971 to provide a foundation from which to discuss Kumu Kahua Theatre and Hawai‘i’s contemporary “local” playwrights. The activities of Kumu Kahua Theatre from 1971 through 1999 are described, focusing upon the productions of significant “local” plays during this period, and the role of Kumu Kahua Theatre in the growth and refinement of “local” drama. Playwrights mentioned here include: Aldyth Morris, Lynette Amano, James Grant Benton, Jon Shirota, Milton Murayama, Brian Clark, Peter Charlot, John Kneubuhl, Daniel Therriault, and Alani Apio. Three playwrights, Edward Sakamoto, Darrell H.Y. Lum and Victoria Nālani Kneubuhl, stand out for their contributions to “local” theatre, and their plays have comprised the core repertory of Kumu Kahua Theatre. Chapters three, four and five analyze the “local” plays for adults by these writers. The conclusion compares and contrasts these three playwrights, summarizing the overall developments in “local” theatre and the role of Kumu Kahua Theatre in Hawai‘i’s “local” drama tradition. Tammy Haili‘ōpua Baker’s Hawaiian language theatre troupe, Ka Hālau Hanakeaka, is briefly discussed in reference to the changing use of language in Hawaiʻi’s “local” drama and as a possible indication of what we might expect more of in the future. Four appendices are provided. Appendix A lists all plays produced by Kumu Kahua Theatre, including the names of playwrights, directors, venues, and production dates. Appendix B provides a season-by-season listing of Kumu Kahua Board Members. Appendix C summarizes the box-office reports for each production from which these figures were available. Appendix D lists Hawai‘i’s “local” playwrights and “local” plays.
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    "The Changeling" and the Carnivalesque
    ( 2015-06-24) Lennon, Paul ; Sammons, Todd ; Zuern, John
    One of the features of Jacobean Drama generally, and the play The Changeling specifically, is its polysemous nature. There are multiple and complex strands in the composition of the play, which can render multiple interpretations. Critics, though, in making their arguments, sometimes ignore those elements which are not conducive to their position. The Changeling has been the genesis of such criticism in which obvious elements of the drama are omitted, for they don't support the argument being made. The very complexity of this play, which richly absorbs the issues of the times in which it was written, can make it simultaneously fecund and unwieldy for critical interpretations.