Please use this identifier to cite or link to this item:
After Cannibal Tours: Cargoism and Marginality in a Post-touristic Sepik River Society
|Title:||After Cannibal Tours: Cargoism and Marginality in a Post-touristic Sepik River Society|
|Authors:||Silverman, Eric K.|
Papua New Guinea
show 2 moreart
|LC Subject Headings:||Oceania -- Periodicals|
|Publisher:||University of Hawai‘i Press|
Center for Pacific Islands Studies
|Citation:||Silverman, E. K. 2013. After Cannibal Tours: Cargoism and Marginality in a Post-touristic Sepik River Society. The Contemporary Pacific 25 (2): 221-257.|
|Abstract:||This article challenges the ethical allegory of the widely hailed film Cannibal Tours, drawing on two decades of ethnographic research in the Sepik region of Papua New Guinea, most recently in 2010. First, I sketch the contemporary plight of a middle Sepik, Iatmul-speaking community that yearns for a “road” to modernity and tourism but increasingly sees itself as “going backwards.” Second, I argue that tourism allows middle Sepik inhabitants to express artistically subtle messages about contemporary gender, identity, and sociality in the Melanesian postcolony. Third, I demonstrate what happens when the tourists go home. And almost all of them have done so, especially after the sale of the tourist ship, the|
|Appears in Collections:||
TCP [The Contemporary Pacific], 2013 - Volume 25, Number 2|
Please email firstname.lastname@example.org if you need this content in ADA-compliant format.
Items in ScholarSpace are protected by copyright, with all rights reserved, unless otherwise indicated.