Please use this identifier to cite or link to this item:
Too Wise to Woo Peaceably: Ideologies of Marriage in "The Taming of the Shrew" and "Much Ado About Nothing"
|Title:||Too Wise to Woo Peaceably: Ideologies of Marriage in "The Taming of the Shrew" and "Much Ado About Nothing"|
|Date Issued:||15 Jan 2014|
|Publisher:||University of Hawaii at Manoa|
|Abstract:||In recent years, greater critical attention has been given to Shakespearean comedy, which typically has been overshadowed by later plays--most notably, the male-centered tragedies. Lawrence Danson argues that criticism in the twentieth century "has had to invent or rediscover a point of view that can take Shakespeare's comedy seriously but on its own, not tragedy's, terms" (Wells 231). The work of such feminist critics like Marilyn Williamson, Diane Dreher, and Marianne Novy, has called attention to the serious issues that the comedies address.|
|Rights:||All UHM Honors Projects are protected by copyright. They may be viewed from this source for any purpose, but reproduction or distribution in any format is prohibited without written permission from the copyright owner.|
|Appears in Collections:||
Honors Projects for English|
Please email firstname.lastname@example.org if you need this content in ADA-compliant format.
Items in ScholarSpace are protected by copyright, with all rights reserved, unless otherwise indicated.