Please use this identifier to cite or link to this item:
East-West Film Journal, Vol. 4 no. 1 (December 1989)
|Title:||East-West Film Journal, Vol. 4 no. 1 (December 1989)|
|LC Subject Headings:||Institute of Culture and Communication, East-West Center|
Program for Cultural Studies, East-West Center
|Issue Date:||Dec 1989|
|Publisher:||Honolulu, HI : East-West Center|
|Abstract:||Special Issue on the Family and Cinema Editor's Note Families, Film Genres, and Technological Environments Andrew Ross Sons at the Brink of Manhood: Utopian Moments in Male Subjectivity Bill Nichols The Role of Marriage in the Films of Yasujiro Ozu Kathe Geist Family, Education, and Postmodern Society: Yoshimitsu Morita's The Family Game Keiko I. McDonald Was Tolstoy Right? Family Life and the Philippine Cinema Robert Silberman Symbolic Representation and Symbolic Violence: Chinese Family Melodrama of the Early 1980s Ma Ning Fate and the Family Sedan Meaghan Morris Domestic Scenes Patricia Mellencamp Book Review Ozu and the Poetics of Cinema David Bordwell|
|Description:||For more about the East-West Center, see http://www.eastwestcenter.org/|
|Rights:||Copyright East-West Center|
|Appears in Collections:||East-West Film Journal|
Please contact email@example.com if you need this content in an alternative format.
Items in ScholarSpace are protected by copyright, with all rights reserved, unless otherwise indicated.