East-West Film Journal

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https://hdl.handle.net/10125/30688

The East-West Film Journal (1986-1994) supported the Film Program at the Institute of Culture and Communication at the East-West Center. Together with the Hawaii International Film Festival and Film Symposium, this East-West Film Journal gave the scholarly work of the Film Program a broad public outlet. Films are works of art and means of communication; a medium for exploring and expressing humanities issues; reflections, often critical, of society; an important industry and a tool for creating and promoting national identity. Because film is the international genre par excellence of modern times, films enable us to study the unity and diversity of human creativity. Cinema has also attracted some of the greatest intellects of our time and the influence of the medium on our daily living and thinking is incalculable.

The East-West Center ScholarSpace community contains digital versions of just some of the several thousand books, periodicals, and unpublished papers generated by the Center over the past 50 years. Find a complete list of recent East-West Center publications and learn how to obtain them at EastWestCenter.org/publications . Search for recent and older works from 1960 - present using the Center's library catalog at EastWestCenter.org/riscatalog.

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Now showing 1 - 10 of 16

East-West Film Journal, Vol. 8 no. 2 (July 1994)
(Honolulu, HI : East-West Center, 1994-07) East-West Center
Phobic Spaces and Liminal Panics: Independent Transnational Film Genre Hamid Naficy Ritual; History; and the Films of Zhang Yimou Donald S. Sutton Configuring the Modern Space: Cinematic Representations of Beijiing and Its Politics Xiaobing Tang Forest of Bliss: Film and Anthropology Akos Ostor Mine Is the Cinema of Strong Survivors: An Interview with Gautam Ghose Manas Ray
East-West Film Journal, Vol. 8 no. 1 (January 1994)
(Honolulu, HI : East-West Center, 1994-01) East-West Center
Editor's Note L'assimilation Mizoguchi/Utamaro est Evidente: Five Women around Utamaro and the U.S. Occupation of Japan Donald Kirihara Film between Woodblock Printing and Tattooing: Kenji Mizoguchi's Five Women around Utamaro Angela Dalle Vacche Marginality and Centrality: The Myth of Asia in 1970s Hollywood Glenn Man Global Image Consumption in the Age of Late Capitalism Bill Nichols Representations of Micronesia on Film; Video; and Television James Mellon Book Review The Geopolitical Aesthetic: Cinema and Space in the World System Frederic Jameson
East-West Film Journal, Vol. 7 no. 2 (July 1993)
(Honolulu, HI : East-West Center, 1993-07) East-West Center
Approaching Japanese Melodrama Joseph A. Murphy Adapting (to) the Margins: Hot Summer Winds and the Stories of Hisaye Yamamoto Robert M. Payne Korean Cinema and the New Realism: Text and Context Isolde Standish Where Is The Nation:: Public Discourse; the Body; and Visual Display Jane C. Desmond The Tourist/Traveler Gaze: Bertolucci and Bowles's The Sheltering Sky Yosefa Loshitzky Book Reviews British Genres: Cinema and Society Marcia Landy Perspectives on Chinese Cinema Chris Berry
East-West Film Journal, Vol. 7 no. 1 (January 1993)
(Honolulu, HI : East-West Center, 1993-01) East-West Center
Special Issue on Cinema and Nationhood Baseball in the Post-American Cinema; or Life in the Minor Leagues Vivian Sobchack A Nation T(w/o)o: Chinese Cinema(s) and Nationhood(s) Chris Berry Gender; Ideology; Nation: Ju Dou in the Cultural Politics of China W. A. Callahan Cinema and Nation: Dilemmas of Representation in Thailand Annette Hamilton Tibet: Projections and Perceptions Aislinn Scofield Warring Bodies: Most Nationalistic Selves Patricia Lee Masters Book Reviews Cinema, Censorship, and the State: The Writings of Nagisa Oshima Dawn Lawson Reflexivity in Film and Literature: From Don Quixote to Jean-Luc Godard Robert Stam Modernist Montage: The Obscurity of Vision in Cinema and Literature P. Adams Sitney
East-West Film Journal, Vol. 6 no. 2 (July 1992)
(Honolulu, HI : East-West Center, 1992-07) East-West Center
Special Issue on Southeast Asian Cinema Cinema; Nation; and Culture in Southeast Asia: Enframing a Relationship Wimal Dissanayake The Filipino Film Industry Nicanor G. Tiongson The Rise and Fall of the Film Industry in THailand; 1897-1992 Boonrak Boonyaketmala The Rise of the Indonesian Film Industry Salim Said Asia and the Global Film Industry Elizabeth B. Buck Book Reviews The Warrior's Camera: The Cinema of Akira Kurosawa Stephen Prince Questions of Third Cinema Jim Pines Paul Willemen
East-West Film Journal, Vol. 6 no. 1 (January 1992)
(Honolulu, HI : East-West Center, 1992-01) East-West Center
Special Issue on Cinema and History Editor's Note Race: The Political Unconscious in American Film Nick Browne Female Bodies and Women's Past-times; 1890-1920 Memories and Things Past: History and Two Biographical Flashback Films Charles Maland Tales of Kageyama Freda Freiberg Decentering History: Some Versions of Bombay Cinema Vijay Mishra The Ronggeng Dancer: Another Paradigm for Erotic Spectacle in the Cinema David Hanan Book Reviews Indonesian Cinema: National Culture on Screen Karl G. Heider The Sublime Object of Ideology Slavoj Zizek Seeing Films Politically Mas'ud Zavarzadeh
East-West Film Journal, Vol. 5 no. 2 (July 1991)
(Honolulu, HI : East-West Center, 1991-07) East-West Center
Special Issue on Melodrama and Cinema Editor's Note Melodrama / Subjectivity / Ideology: The Relevance of Western Melodrama Theories to Recent Chinese Cinema E. Ann Kaplan Melodrama; Postmodernism; and the Japanese Cinema Mitsuhiro Yoshimoto Negotiating the Transition to Capitalism: The Case of Andaz Paul Willemen The Politics of Melodrama in Indonesian Cinema Krishna Sen Melodrama as It (Dis)appears in Australian Film Susan Dermody Filming New Seoul: Melodramatic Constructions of the Subject in Spinning Wheel and First Son Rob Wilson Psyches; Ideologies; and Melodrama: The United States and Japan Maureen Turim
East-West Film Journal, Vol. 5 no. 1 (January 1991)
(Honolulu, HI : East-West Center, 1991-01) East-West Center
Special Issue on Melodrama and Cinema Editor's Note Melodrama / Subjectivity / Ideology: The Relevance of Western Melodrama Theories to Recent Chinese Cinema E. Ann Kaplan Melodrama; Postmodernism; and the Japanese Cinema Mitsuhiro Yoshimoto Negotiating the Transition to Capitalism: The Case of Andaz Paul Willemen The Politics of Melodrama in Indonesian Cinema Krishna Sen Melodrama as It (Dis)appears in Australian Film Susan Dermody Filming New Seoul: Melodramatic Constructions of the Subject in Spinning Wheel and First Son Rob Wilson Psyches; Ideologies; and Melodrama: The United States and Japan Maureen Turim
East-West Film Journal, Vol. 4 no. 2 (June 1990)
(Honolulu, HI : East-West Center, 1990-06) East-West Center
Special Issue on the Family and Cinema Editor's Note Families, Film Genres, and Technological Environments Andrew Ross Sons at the Brink of Manhood: Utopian Moments in Male Subjectivity Bill Nichols The Role of Marriage in the Films of Yasujiro Ozu Kathe Geist Family, Education, and Postmodern Society: Yoshimitsu Morita's The Family Game Keiko I. McDonald Was Tolstoy Right? Family Life and the Philippine Cinema Robert Silberman Symbolic Representation and Symbolic Violence: Chinese Family Melodrama of the Early 1980s Ma Ning Fate and the Family Sedan Meaghan Morris Domestic Scenes Patricia Mellencamp Book Review Ozu and the Poetics of Cinema David Bordwell
East-West Film Journal, Vol. 4 no. 1 (December 1989)
(Honolulu, HI : East-West Center, 1989-12) East-West Center
Special Issue on the Family and Cinema Editor's Note Families, Film Genres, and Technological Environments Andrew Ross Sons at the Brink of Manhood: Utopian Moments in Male Subjectivity Bill Nichols The Role of Marriage in the Films of Yasujiro Ozu Kathe Geist Family, Education, and Postmodern Society: Yoshimitsu Morita's The Family Game Keiko I. McDonald Was Tolstoy Right? Family Life and the Philippine Cinema Robert Silberman Symbolic Representation and Symbolic Violence: Chinese Family Melodrama of the Early 1980s Ma Ning Fate and the Family Sedan Meaghan Morris Domestic Scenes Patricia Mellencamp Book Review Ozu and the Poetics of Cinema David Bordwell

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