Please use this identifier to cite or link to this item:
Dance Research Within the Context of the Work of Maud Robart
|Title:||Dance Research Within the Context of the Work of Maud Robart|
|Issue Date:||13 Dec 2012|
|Publisher:||University of Hawaii at Manoa|
|Abstract:||The first time I heard Robart singing was more than twenty years ago. We were a small group of people in a large hall, dancing yanvalou and chanting ritual Haitian songs somewhere in Tuscany, Italy. She was leading both the dance and the chants. Her singing had a very particular quality. It felt very familiar, as if I had heard the song a long time before. But when I examined my conscious memories, I realized that in my past there was nothing similar to it. Her voice evoked in me landscapes of Veracruz, Mexico, the land where my father was born. Her singing seemed wild and innocent, and it touched my heart as if it was a key trying to open a door to a secret buried in me.|
|Rights:||All UHM Honors Projects are protected by copyright. They may be viewed from this source for any purpose, but reproduction or distribution in any format is prohibited without written permission from the copyright owner.|
|Appears in Collections:||Honors Projects for Dance|
Please contact email@example.com if you need this content in an alternative format.
Items in ScholarSpace are protected by copyright, with all rights reserved, unless otherwise indicated.