Please use this identifier to cite or link to this item: http://hdl.handle.net/10125/21269

Against Tradition

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Item Summary

dc.contributor.author Mallon, Sean
dc.date.accessioned 2011-09-16T19:00:28Z
dc.date.available 2011-09-16T19:00:28Z
dc.date.issued 2010
dc.identifier.citation Mallon, S. 2010. Against Tradition. The Contemporary Pacific 22 (2): 362-381.
dc.identifier.issn 1043-898X
dc.identifier.uri http://hdl.handle.net/10125/21269
dc.description.abstract Albert Wendt’s career as a writer and academic is well documented. Less widely known are his contributions to cultural development through his service on advi- sory groups and boards for different institutions. To these roles he brought a strong intellect and influential voice as a cultural activist and administrator. In the early 1990s, Wendt was an adviser for two of New Zealand’s leading cultural institutions. One of his key interventions was to critique the use of the terms “tra- dition” and “traditional” in the representation of Pacific arts and cultural prac- tices. In this article, I reflect on Wendt’s written and vocal protestations against the uncritical use of these terms by Pacific Islanders and others in cultural discourse in New Zealand. In particular, I analyze his influence on the curatorial representa- tion of Pacific peoples at the Museum of New Zealand Te Papa Tongarewa.
dc.format.extent 20 pages
dc.language.iso en-US
dc.publisher University of Hawai‘i Press
dc.publisher Center for Pacific Islands Studies
dc.subject museums
dc.subject representation
dc.subject exhibitions
dc.subject New Zealand
dc.subject tradition
dc.subject Albert Wendt
dc.subject.lcsh Oceania -- Periodicals
dc.title Against Tradition
dc.type Article
dc.type.dcmi Text
Appears in Collections: TCP [The Contemporary Pacific], 2010 - Volume 22, Number 2


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