Please use this identifier to cite or link to this item:
|uhm_mfa_447_uh.pdf||Version for UH users||2.51 MB||Adobe PDF||View/Open|
|uhm_mfa_447_r.pdf||Version for non-UH users. Copying/Printing is not permitted||2.51 MB||Adobe PDF||View/Open|
|Authors:||Kim, Chongmin Yi|
|Keywords:||Communication in art|
Gloves in art
Hand in art
|Abstract:||Silent Scream is a series of works of art that explores the issue of immigrant identity. Living in America and learning a complex new language as a non-native speaker forms the basis of this thesis. The exhibition attempts to capture the emotions of a foreigner living in another country. The pieces are intended to convey imperfectness and the inability to completely emerge within another culture. To represent the foreigners' frustration and passion of overcoming difficulties in a new language the work also deals with obsessive labor of handling materials. Aesthetically the work draws on the idea of wabi-sabi in Zen Buddhism which constitutes beauty through imperfection. It also expresses simplicity, inherent to the concept of wabi-sabi.|
|Description:||Thesis (M.F.A.)--University of Hawaii at Manoa, 2004.|
Includes bibliographical references (leaf 25).
v, 25 leaves, bound col. plates 29 cm
|Rights:||All UHM dissertations and theses are protected by copyright. They may be viewed from this source for any purpose, but reproduction or distribution in any format is prohibited without written permission from the copyright owner.|
|Appears in Collections:||
M.F.A. - Art|
Please email firstname.lastname@example.org if you need this content in ADA-compliant format.
Items in ScholarSpace are protected by copyright, with all rights reserved, unless otherwise indicated.