Please use this identifier to cite or link to this item:
Re-positioning performance : curating Tahitian performance as applied ethnomusicology in Hawaiʻi
|Bartlett_Scott_r.pdf||Version for non-UH users. Copying/Printing is not permitted||55.92 MB||Adobe PDF||View/Open|
|Bartlett_Scott_uh.pdf||Version for UH users||56.19 MB||Adobe PDF||View/Open|
|Title:||Re-positioning performance : curating Tahitian performance as applied ethnomusicology in Hawaiʻi|
|Authors:||Bartlett, Scott Griffin|
|Issue Date:||Dec 2011|
|Publisher:||[Honolulu] : [University of Hawaii at Manoa], [December 2011]|
|Abstract:||This study examines a specific but multi-faceted applied ethnomusicology project, a gallery exhibition and related special events focusing on Tahitian performance on O'ahu, Hawaiʻi. The exhibit, Tau Rima Tahiti: Crafting Performance, resulted from collaboration with performers, craftspeople, and cultural specialists on O'ahu, furthering research into this diasporic tradition by focusing upon the performance of craftsmanship as a precursor to 'ori tahiti. Drawing heavily from the field of museum studies, I examine the process (performance) of that exhibit's production, including the critical issues involved with such a project, and a reflexive examination of my role as curator. The study shares my methods of research and presentation, and assesses the resulting exhibit as a representation of individuals, traditions, and performances.|
|Description:||M.A. University of Hawaii at Manoa 2011.|
Includes bibliographical references.
|Appears in Collections:||M.A. - Music|
Please contact email@example.com if you need this content in an alternative format.
Items in ScholarSpace are protected by copyright, with all rights reserved, unless otherwise indicated.