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The cinematic in the travel narratives of John Dos Passos and Graham Greene
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|Title:||The cinematic in the travel narratives of John Dos Passos and Graham Greene|
|Authors:||Cardenas, Jocelyn Shizuko|
|Keywords:||John Dos Passos|
|Issue Date:||Dec 2014|
|Publisher:||[Honolulu] : [University of Hawaii at Manoa], [December 2014]|
|Abstract:||The aim of my dissertation is to analyze a relationship between travel narratives and film. The study utilizes the formalist approach and focuses on literary travelers John Dos Passos (1896-1970) and Graham Greene (1904-1991), who traveled between the 1920s and 1960s publishing narratives based on their peregrinations. I apply close reading and analysis to Dos Passos's Rosinante to the Road Again (1922), Orient Express (1927), In All Countries (1934), Brazil on the Move (1963), and Easter Island: Island of Enigmas (1971); and, Graham Greene's Journey without Maps (1935) and The Lawless Roads (1938).|
I propose first, that the cinema impacts the way Dos Passos and Greene look at and record the world; second, that their assemblages of cinematic visual and aural sequences deepen a reader's perception of space, loosening the reader's identification with the protagonist; and third, that a focus on space helps change the reader into a cinematic spectator who develops an experience that is the spectator's alone freed from the experience of the protagonist to form what Evelyn Waugh considers a unique form of narrative that the cinema contributes to literature.
Briefly, in Chapter 1, my dissertation provides a review of the scholarship on travel writing literature and includes a review of the studies done on Dos Passos and Greene in terms of their relationship with film. Chapter 2 focuses on the visual cinematic devices found in the travel narratives, while Chapter 3 addresses the aural devices. Chapter 4 concludes the study with a discussion on the significance of the cinematic and their implications in travel narratives.
|Description:||Ph.D. University of Hawaii at Manoa 2014.|
Includes bibliographical references.
|Rights:||All UHM dissertations and theses are protected by copyright. They may be viewed from this source for any purpose, but reproduction or distribution in any format is prohibited without written permission from the copyright owner.|
|Appears in Collections:||Ph.D. - English|
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