Musical Melanesianism: Imagining and Expressing
Regional Identity and Solidarity in Popular Song
and VideoMusical Melanesianism: Imagining and Expressing
Regional Identity and Solidarity in Popular Song
and Video
Musical Melanesianism: Imagining and Expressing
Regional Identity and Solidarity in Popular Song
and VideoMusical Melanesianism: Imagining and Expressing
Regional Identity and Solidarity in Popular Song
and Video
Date
2016
Authors
Webb, Michael
Webb-Gannon, Camellia
Contributor
Advisor
Department
Instructor
Depositor
Speaker
Researcher
Consultant
Interviewer
Annotator
Journal Title
Journal ISSN
Volume Title
Publisher
University of Hawai‘i Press
Center for Pacific Islands Studies
Center for Pacific Islands Studies
Volume
Number/Issue
Starting Page
Ending Page
Alternative Title
Abstract
This article identifies and explores an emerging tendency among Melanesians to reenvision their region for the present time. It examines a corpus of popular songs and accompanying videos produced over the last decade that promote regional identity, a phenomenon driven by four factors: diasporic experience as well as a general increase in mobility and global awareness; dissatisfaction with the ruling class; desire to counter negative portrayals of the region abroad; and deep concern over the deprivation of fellow Melanesians’ rights to political autonomy. The article demonstrates that this reenvisioning of Melanesianism reiterates key themes of the region’s seminal postcolonial thinkers, Epeli Hau‘ofa, Walter Lini, Bernard Narokobi, and Jean-Marie Tjibaou; at the same time it develops the concept of wantok-ism and elaborates the idea of “one skin” or blackness as distinctive, thus turning the pejorative associations and experiences of being labeled the black “nesia” into a feature to celebrate. Analysis in the article is guided by a framework that considers the lyrical, musical, and visual devices through which musical Melanesianism is being articulated and projected: mapping, flagging, dancing, and vocality—devices from the “do-it-yourself kit” for performing regionalism.
Description
Keywords
Melanesia,
regional identity,
postcolonialism,
music,
social media,
blackness,
Oceania -- Periodicals
Citation
Webb, M., and Webb-Gannon, C. 2016. Musical Melanesianism: Imagining and Expressing
Regional Identity and Solidarity in Popular Song and Video. The Contemporary Pacific 28 (1): 59-95.Webb, M., and Webb-Gannon, C. 2016. Musical Melanesianism: Imagining and Expressing
Regional Identity and Solidarity in Popular Song and Video. The Contemporary Pacific 28 (1): 59-95.
Extent
37 pages
Format
Geographic Location
Time Period
Related To
Table of Contents
Rights
Rights Holder
Local Contexts
Email libraryada-l@lists.hawaii.edu if you need this content in ADA-compliant format.