The structure of Tongan dance Tongan dance

Date
1967
Authors
Kaeppler, Adrienne L, 1935
Contributor
Advisor
Department
Instructor
Depositor
Speaker
Researcher
Consultant
Interviewer
Annotator
Journal Title
Journal ISSN
Volume Title
Publisher
[Honolulu]
Volume
Number/Issue
Starting Page
Ending Page
Alternative Title
Abstract
The two most basic levels of dance organization derived, kinemic and morphokinemic, are comparable to phonemic and morphemic levels in linguistic analysis. Tongan dance concepts of movement as interpretation and movement as beauty are briefly discussed and illustrated with motifs. The Tongan cultural preference for interpretation by allusion rather than statement is related to dance motifs. Six genres of Tongan dance, each of which has a different combination of structural elements, are discussed in terms of dance movement and three factors external to movement—music, the association of poetry, and the occasion of performance. Interrelations of 'living' dance genres (within which new dances are still created) with 'dead but extant' genres (dances that are performed but no longer created) are discussed.
Description
Typescript.
Bibliography: leaves 320-324.
Microfilm.
xviii, 324 leaves illustrations, maps, tables
Keywords
Dance -- Tonga, Ethnology -- Tonga, Dance, Tonga
Citation
Extent
Format
Geographic Location
Time Period
Related To
Theses for the degree of Doctor of Philosophy (University of Hawaii (Honolulu)) Anthropology no. 133
Table of Contents
Rights
All UHM dissertations and theses are protected by copyright. They may be viewed from this source for any purpose, but reproduction or distribution in any format is prohibited without written permission from the copyright owner.
Rights Holder
Local Contexts
Email libraryada-l@lists.hawaii.edu if you need this content in ADA-compliant format.