Please use this identifier to cite or link to this item: http://hdl.handle.net/10125/32890

Looking Good: The Cultural Politics of the Island Dress for Young Women in Vanuatu

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Title: Looking Good: The Cultural Politics of the Island Dress for Young Women in Vanuatu
Authors: Cummings, Maggie
Keywords: gender, Vanuatu, race, dress, national identity, morality, modernity
LC Subject Headings: Oceania -- Periodicals
Issue Date: 2013
Publisher: University of Hawai‘i Press
Center for Pacific Islands Studies
Citation: Cummings, M. 2013. Looking Good: The Cultural Politics of the Island Dress for Young Women in Vanuatu. The Contemporary Pacific 25 (1): 33-65.
Abstract: In this article, I explore the contingent and contested boundaries of looking good for young women in Vanuatu and the ways in which they negotiate these boundaries. I use women’s dress as a lens through which to focus on the relationships among gender, modernity, race, and morality, and I show the ways in which all four are condensed and embodied in the moral and aesthetic imperative for women to look good. In particular, I focus on the island dress, a dress first introduced by missionaries but taken up after independence as an emblem of national pride and as the traditional dress for women. Although wearing the island dress is the commonsense way for women to look good, the young women with whom I conducted fieldwork in 2001–2002 and again in 2008 and 2011 experienced a great deal of ambivalence about the dress. They often preferred to wear trousers and T-shirts, which frequently won them the disapproval of their elders. By focusing on the polyvalent meanings of the island dress, the realities of young people’s everyday lives in the capital, and the uneven terrain of the dress-scape of Vanuatu, I show that young women’s love/hate relationship with island dress reflects their frustration with their ambiguous place in the contemporary national imaginary.In this article, I explore the contingent and contested boundaries of looking good for young women in Vanuatu and the ways in which they negotiate these boundaries. I use women’s dress as a lens through which to focus on the relationships among gender, modernity, race, and morality, and I show the ways in which all four are condensed and embodied in the moral and aesthetic imperative for women to look good. In particular, I focus on the island dress, a dress first introduced by missionaries but taken up after independence as an emblem of national pride and as the traditional dress for women. Although wearing the island dress is the commonsense way for women to look good, the young women with whom I conducted fieldwork in 2001–2002 and again in 2008 and 2011 experienced a great deal of ambivalence about the dress. They often preferred to wear trousers and T-shirts, which frequently won them the disapproval of their elders. By focusing on the polyvalent meanings of the island dress, the realities of young people’s everyday lives in the capital, and the uneven terrain of the dress-scape of Vanuatu, I show that young women’s love/hate relationship with island dress reflects their frustration with their ambiguous place in the contemporary national imaginary.
Pages/Duration: 33 p.
URI/DOI: http://hdl.handle.net/10125/32890
ISSN: 1043-898X
Appears in Collections:TCP [The Contemporary Pacific ], 2013 - Volume 25, Number 1



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