Please use this identifier to cite or link to this item: http://hdl.handle.net/10125/101069

Rondalya Ilokana : constructing Rondalla pedagogical practices for an Ilokano identity in Santa Lucia and Vigan City, Ilocos Sur, Philippines

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dc.contributor.authorFabro, Froilan Empleoen_US
dc.date.accessioned2015-10-02T21:00:09Z-
dc.date.available2015-10-02T21:00:09Z-
dc.date.issued2014-12en_US
dc.identifier.urihttp://hdl.handle.net/10125/101069-
dc.descriptionM.A. University of Hawaii at Manoa 2014.en_US
dc.descriptionIncludes bibliographical references.en_US
dc.description.abstractThe rondalla is a plucked-stringed chordophone ensemble consisting of banduria, laud, octavina, gitara and baho de unyas. It is considered by Filipinos to be the most "typical Filipino" instrumental music ensemble in the Philippines despite its introduction to the islands by Spanish colonists. It is associated with the Lowland Christianized cultures of the Philippines and practiced throughout the nation. While the rondalla ensemble represents an aspect of Philippine national music identity, regional identities are prevalent among various Christianized ethnic groups such as the Ilokanos. An assumption of a homogeneous performance practice is often portrayed as a cultural symbol of Filipino identity, a Tagalog-centric notion of Filipino national identity. This study challenges notions of homogeneity and national uniformity, and problematizes the issue of national consciousness in relation to regional consciousness by examining the rondalla practice in the municipality of Santa Lucia and in Vigan City, Ilocos Sur. In these locations, rondalla practice departs from a national practice, reflecting regional diversity. National sonic aesthetic taste is deconstructed and recontextualized in regional practices. Thus, this process of domesticating the rondalla into the Ilokano realm reveals Ilokano agency in the construction of rondalya Ilokanaen_US
dc.language.isoengen_US
dc.publisher[Honolulu] : [University of Hawaii at Manoa], [December 2014]en_US
dc.relationTheses for the degree of Master of Arts (University of Hawaii at Manoa). Music.en_US
dc.rightsAll UHM dissertations and theses are protected by copyright. They may be viewed from this source for any purpose, but reproduction or distribution in any format is prohibited without written permission from the copyright owner.en_US
dc.subjectrondalya Ilokanaen_US
dc.titleRondalya Ilokana : constructing Rondalla pedagogical practices for an Ilokano identity in Santa Lucia and Vigan City, Ilocos Sur, Philippinesen_US
dc.typeThesisen_US
dc.type.dcmiTexten_US
Appears in Collections:M.A. - Music



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