Barefoot on the beach : the destination wedding as discursive cultural practice

Date
2013-08
Authors
Ching, April Holly
Contributor
Advisor
Department
Instructor
Depositor
Speaker
Researcher
Consultant
Interviewer
Annotator
Journal Title
Journal ISSN
Volume Title
Publisher
[Honolulu] : [University of Hawaii at Manoa], [August 2013]
Volume
Number/Issue
Starting Page
Ending Page
Alternative Title
Abstract
The phenomenon of the destination wedding denotes a cultural shift in the way Americans assign meaning to the wedding ritual as a whole. Traditionally, the wedding was seen as a ritual rooted in community and performed in adherence to overall societal conventions. However, contemporary couples increasingly see the wedding as a ritual in service of addressing the historical conflicts inherent in it: the discourses of society and the individual, marriage and romance, industry and consumer. This dissertation tracks the variety of ways in which the tension between these discourses has been manifest in the practice of the wedding throughout its historical trajectory and shows how it can be seen as a way society and couples have addressed shifting social relations and changing social identities as shaped by popular media. Couples increasingly use media to negotiate the wedding experience; the commercial white wedding practice is re-contextualized by their production of, and interaction with, industry media. The destination wedding mitigates the tension between discourses constructing marriage by incorporating the discourses of intimacy as well as that of tourism. The destination wedding is sold by the industry as an escape, escape from the social, familial, and financial pressures of a large wedding. But it is also framed as a tool for building intimacy. Rather than promoting an individual escape, the destination wedding offers the image of an escape by a couple, in order to create a shared identity in a liminal space. The tropical beach is the ideal location sold by the industry for the wedding away because of its own discourse and ideology as an iconic tourist destination. For American couples the iconic beach location is Hawaiʻi. Its construction by the tourist and wedding industries represents the conflation of the competing discourses of the wedding as a social imperative, travel as an escape, and romance--as epitomized by the image of a tropical paradise. The increasing popularity of the destination wedding demonstrates an attempt by couples to negotiate and even change the meaning and purpose of the wedding ritual; and, as a result, the wedding itself is taking on new meaning.
Description
Ph.D. University of Hawaii at Manoa 2013.
Includes bibliographical references.
Keywords
Tourism
Citation
Extent
Format
Geographic Location
Time Period
Related To
Theses for the degree of Doctor of Philosophy (University of Hawaii at Manoa). English.
Table of Contents
Rights
Rights Holder
Local Contexts
Collections
Email libraryada-l@lists.hawaii.edu if you need this content in ADA-compliant format.